Manuscripts undergo two stages of peer review, requiring 6-9 months. short biography (100–150 words) where you can include your recent publications and current projects (please find examples here: keywords that include: up to six general keywords, up to three film titles, and up to three names that are central for your article. In 1995, the magazine went online exclusively as brightlightsfilm.com. • Style Guide for Authors Subscription to Film & History is not required as a condition of … Twitter • Archiving Policy All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). Before preparing submission, please ensure that you are aware of the following: If a submission is out of scope, does not meet academic standards or does not follow the Author Guidelines, the editors will reject it. Collegial Support of the Journal. After your article is accepted for publication, please also provide: For any audio and visual material used in your text, please download and fill this form. The screening report is a feasibility assessment; it calculates both the degree of editing a manuscript would require and the value our readers would derive from the edited version. Contributions come from all parts of the world. FQ PRINT EDITION SUBMISSION GUIDELINES FQ welcomes both established scholars and fresh voices that bring new perspectives to bear on discourses of visual representation rooted in issues of diversity, race, lived experience, gender, sexuality, and transnationalism. Research in Film and History is an open-access journal which means that all content is freely available without charge to the users or their institution. History and Theory accepts no responsibility, and contributors themselves must bear full responsibility, for opinions expressed in contributions published in the journal.Nevertheless, because the journal publishes no letters to the editor, nor any other exchanges in which comments on individuals may be rebutted by them, we have a responsibility not to publish injurious comments. The journal was renamed (from Cinema Journal) in October 2018.. JCMS ’s basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. If you have any questions about this, please contact Marybeth Hamilton, Administrative Editor, at historyworkshopjournal@gmail.com. On the basis of the reviews, the editors then make a decision on whether to accept without any changes, accept after minor revision, accept after major revision, send for a second peer review after major revision, or reject an article. Submitting an article to multiple journals simultaneously leads editors (and peer reviewers) to commit scarce resources of time and energy to papers that may be withdrawn because of acceptance elsewhere. This is in accordance with the BOAI (Budapest Open Access Initiative) definition of open access. The first stage is a screening report, indicating whether the manuscript is publishable in our journal–a manuscript might be deemed publishable but not presently for our journal (see “Levels of rejection” below). If a work is a work made for hire, the employer or other person for whom the work was prepared is the author and should be named as the author on the application for copyright registration…. Film-Philosophy is an international peer-reviewed academic journal dedicated to philosophically discussing film studies, aesthetics and world cinema. There are up to 7 steps for you to follow to submit your manuscript. Film and book titles in your manuscript should be italicized rather than underlined. Submission of work for potential publication in the journal will be taken as evidence of the author’s awareness, understanding, and acceptance of the policies outlined here. If a work is a work made for hire, the employer or other person for whom the work was prepared is the initial owner of the copyright unless there has been a written agreement to the contrary signed by both parties. By accepting publication, a contributor expressly agrees that his or her published work shall be considered a work made for hire; acceptance constitutes “a written agreement between the parties[,] specifying that the work is a work made for hire” by an “independent contractor.” Please see part 2 of the statutory definition (available at http://www.copyright.gov/circs/circ09.pdf) : Section 101 of the copyright law defines a “work made for hire” as, (1) a work prepared by an employee within the scope of his or her employment or. We lean, of course, toward our authors’ choices in most cases, but we reserve the right to edit any submission for greater economy of expression and elegance of language. Its mission is to bring timely critical and intersectional approaches to criticism and analyses of visual culture. We welcome submissions on film, television, radio, sound, and digital media. Film & History, which is a non-profit, peer-reviewed journal affiliated with the American Historical Association and published continuously since 1971, is published twice each year, in the summer and the winter. All publishers must make decisions based on space and money, not just on quality. Manuscript submissions to the IAFOR Journal of Media, Communication & Film are now OPEN.. Reminders. Journal of American Studies seeks to critique and interrogate the notion of "America", pursuing this through international perspectives on the history, literature, politics and culture of the United States. Otherwise, upon receipt of a submission, Film & History retains the right of publication, by which any submitted manuscript, after acceptance and editing (see “Peer Reviewing and Replies to the Author”), may be printed in the journal (including its electronic format), at the discretion of the editor, to satisfy the publication needs for a scheduled topic or issue. Authors should follow the guidelines below before submitting their article, book review, or dissertation abstract. This right extends to the compression and re-organization of the original argument and/or its examples. Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. If an author has written a publishable article (notes toward revision notwithstanding), the editors at Film & History believe that he or she should know this distinction–as should, perhaps, the author’s department chair, college dean, or provost. While no major alterations will be carried out without the author’s consent, the editors reserve the right to make minor editorial changes to any format, punctuation, grammar, or spelling errors. The Journal is also accepting outside submissions so we also encourage authors to consider submitting an article to the journal even if they did not present it at the annual meeting. Decisions about argument also represent a compromise whenever matters of clarity, accuracy, evidence, organization, logical flow, or any other matters related to efficacy are involved. All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). (We do, of course, encourage contributors to support the journal through a subscription and through participation in our annual conferences.). All material to be considered for publication in History Workshop Journal should be submitted in electronic form via the journal’s new online submission system. Feedback will be provided to the author and, if considered necessary, suggestions and corrections will be given using Word’s Track Changes feature. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. Facebook • Copyright and Licensing Policy Article Title: 14 point, sentence case, and no more than 20 words (including sub-title). Mission Statement The Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). Your submission should preferably be emailed to us as a Microsoft Word document (with one pica indents, no space between paragraphs, and with top and bottom margins of 1” and left and right margins of 1.25”). Research in Film and History does not levy any submission or article processing charges (APCs), or any other fees to publish, access the Journal's website, or read the published materials. All submitted articles should be original work and must not be under consideration by other publications. Articles submitted for the publication are checked with the PlagScan software. Film & History welcomes article-length manuscripts of 4,000-7,000 words on the following topics: The effect of historical events on films, genres, or cultural & aesthetic standards, The effect of films or film genres on historical or cultural events, The aesthetic or rhetorical construction of history itself, as rendered in film, Use of motion pictures, television, and related media in the classroom, The history, holdings, and current status of film and television archives, New or controversial ways of presenting history in film and television, Reviews of books and video/films and broadcasts addressing important themes or events. Film & History does not, therefore, accept submissions of articles that are under consideration by other journals. We invite individuals from all ages, backgrounds, cultures, and socio-economic circumstances to be a part of living history by keeping a journal in 30, 60, 90, 120-day, or any longer OR shorter increments, and contributing their journalistic efforts to the National Women’s History Museum. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. If deemed publishable for our journal, the manuscript is then forwarded to the second stage, a longer review, which measures the manuscript more deeply against current scholarship in the field. Le Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques est la principale revue universitaire canadienne d'études cinématographiques évaluée par les pairs. Please consider the following Style Guide for Authors. Submission Guidelines — Federal History Manuscripts can be submitted electronically in Microsoft Word to the journal editors at federalhistory@gmail.com.They should contain the author’s name at the top of the first page only, as they will be sent to reviewers. Film Quarterly > Film Quarterly , a journal devoted to the study of film, television, and visual media, publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. Please feel free to contact us: film-history[AT]uni-bremen.de, • Open Access Policy Each of these distributors will have its own policy, but, collectively, they constitute the sole legal means by which the journal may be distributed (apart from print subscriptions). These changes will be submitted to authors for approval. For themed issues, please check our News section to read announcements about open calls for articles. As a result, however, some rejected manuscripts are never affirmed when they should have been. Film Studies is a refereed journal that approaches cinema and the moving image from within the fields of critical, conceptual and historical scholarship. To guarantee long-term preservation, Research in Film and History deposits the articles in the open access repository for academic publications in the field of film and media studies media/rep/, in the archive of the State and University Library Bremen and the German National Library. We welcome new submissions. Description. Under the spell of a group of East Coast-based auteurists (mainly Howard Mandelbaum of New York, and Robert Smith and Jeffrey Wise of the University of Connecticut) and with the help of lithographer brother Michael and a job as a typesetter and film critic at the Clifton-Vine Reporter newspaper in Cincinnati, Gary Morris published the first issue of Bright Lights Film Journal in 1974. After any requested corrections have been carried out, the article will be copyedited, paying attention to accuracy, formatting, and language consistency. Subscription to Film & History is not required as a condition of submission or of publication. Many publishers prefer not to say that a manuscript is “publishable” if it has been rejected; they note its virtues but then emphasize its limitations, leaving an author to believe that the work had not reached a certain level of quality. • Submission Process Under no circumstances, however, may an essay that has not been edited according to the recommendations of peer review be published in the journal, and under no circumstances may an author publish the edited version–which is the legal property of the journal–without consent from Film & History. Please indicate in the form where images/video/audio clips should appear in the text. Considered one of the top journals in media studies, our acceptance rate is about 15 percent. Every woman and girl’s story is important. It also leads to the possibility of duplicate publication, which diminishes the distinctiveness and originality on which academic journals depend for their survival. Portions may be used within scholarly writing, but the re-publication or online posting of content from Film & History, even for noncommercial purposes, is a copyright violation and a theft of the journal’s means of operation. Films which interpret history; 2. Instagram • APC-free Policy Articles offered for publication should be sent as an email attachment to editor@filmandhistory.org and one hard copy mailed mailed to the editor: After the initial submission, all further correspondence and transmissions of manuscripts will take place electronically. The Historical Journal of Film, Radio and Television explores the history of audio-visual mass media and considers its impact on political and cultural history. Further changes may be then suggested by the General Editor. Research in Film and History welcomes contributions written in English. You should prepare your manuscript according to the instructions below, and submit your manuscript online by clicking here. In an era when academic and popular conceptions of history are increasingly presentist in focus, a situation reflected in the preponderance of submissions to the AHR on the nineteenth and twentieth centuries, we especially seek manuscripts in ancient, medieval, and early modern history. The journal will accept manuscripts in MLA, APA, or Chicago style if this format is used in your scholarly discipline. Submissions for New Approaches section are accepted on an ongoing basis and will be published throughout the year. In the case of acceptance, final decisions about the style of the published version of an author’s manuscript represent a compromise between editors and authors. Questions about submissions may be directed to the editor: Loren PQ Baybrook, Editor, Film & HistoryLawrence University, Memorial Hall B5711 E. Boldt WayAppleton, WI 54911USA. The JAH welcomes submissions of articles on all topics related to American history, as well as suggestions for possible historiographical essays, round tables (sets of related articles), "Textbooks and Teaching" themes, and online conversations ("Interchange").. We strive to make the author’s argument as effective as possible. This journal considers motion pictures under the following rubrics: 1. Bright Lights began life as a nominally quarterly print publication in 1974, published and edited by Gary Morris. Fair Use and Copyright (“Work Made for Hire”). Description: Film History publishes original research on the international history of cinema, broadly and inclusively understood. 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